Showing posts with label Gaelic. Show all posts
Showing posts with label Gaelic. Show all posts

Thursday, June 20, 2019

Blue Rampart: Capercaillie and "Am Mur Gorm"



Today's random tune is by Capercaille. Capercaille is a Scottish folk band formed in the 1980s and named after the Scottish wood grouse. They perform traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s Capercaille added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward more traditional music while retaining a slight fusion sound. This song, Am Mur Gorm, is from their 1997 album Beautiful Wasteland. The song refers to a pair of mountain ranges collectively known as The Cuillin on the Isle of Skye in Scotland.

Listen to songs like this and more on the KUNM Global Music Show every Monday night from 10 pm - 1 am Mountain Standard Time. Live streaming, program information and the two-week digital archive can be found at http://www.kunm.org.

Source: https://en.wikipedia.org/wiki/Capercaillie_(band)

Tuesday, September 5, 2017

My Beautiful Island: Capercaillie and "Soraidh Bhuam gu Barraidh"



Capercaille gives us a lament sung in Gaelic called Soraidh Bhuam gu Barraidh. The song, which is sung by someone who presumably was shipped off to Australia, looks back longingly on an island called Barra.

Barra is the most beautiful island
The island of my heart's desire
When I often sang in the company
Of serene and beautiful young ladies
And although I'm alone today
In Australia of the trees
I'll never forget the Gaelic language
Which is engraved on my mind

Capercaillie is a Scottish folk band formed in the 1980s. They are named after the Scottish wood grouse. They perform traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward more traditional music while retaining a slight fusion sound. Soraidh Bhuam gu Barraidh can be found on their 1987 album Crosswinds, and on their 2007 album Heritage Songs.

Listen to songs like this and more on the KUNM Global Music Show every Monday night from 10 pm - 1 am Mountain Standard Time. Live streaming, program information and the two-week digital archive can be found at http://www.kunm.org.

Saturday, June 24, 2017

Pure Grief: Capercaillie and "Ailein Duinn (Dark Alan)"



Capercaille tones down our random tune for today with a moody piece called Ailein Duinn (Dark Alan). Capercaillie is a Scottish folk band formed in the 1980s. They are named after the Scottish wood grouse. They perform traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward more traditional music while retaining a slight fusion sound. Ailein Duinn can be found on their 2005 best hits album called Dusk Till Dawn: The Best of Capercaillie, and another best of album, Grace and Pride: The Anthology 2004-1984 (2004). As far as we can tell, it was released originally in 1995 on their To the Moon album, but it was also released in 2017 on Capercaillie's re-recorded songs that appeared on the soundtrack for the movie Rob Roy. Ailein Duinn is a traditional lament, written for female voice by Annie Campbell for her lost love Alan Morrison, a sea captain who was lost at sea shortly before they were to be married. Campbell composed the lament and then apparently committed suicide - her body washed ashore near where Morrison's was found.

Friday, March 17, 2017

Missing Her Sailor: Karen Matheson and "Mi Le M' Uilinn"



Today's random sung is by Karen Matheson, a Scottish folk singer. A founding member of the band Capercaille, she has also had a successful solo career. She was also part of the acclaimed folk group L'Héritage des Celtes, with whom she sang lead vocals and as part of that group represented France in the 1996 Eurovision Song Contest. Karen Matheson sings most of her songs in Scottish Gaelic, and has been counted as one of the most famous voices in Celtic music. In 2002, she was awarded the Order of the British Empire for her contributions to music and arts. This song, Mi Le M' Uilinn, can be found on her 1996 album The Dreaming Sea, as well as on many compilation albums such as Putumayo Presents: Women of the World Celtic II (1997), Holding Up Half the Sky: Voices of Celtic Women (2005), and Celtic Women 4 (2010). The song is the lament of a woman whose man has gone to sea.

Sunday, July 10, 2016

A Pendulum Shifts: Capercaillie and "Waiting for the Wheel to Turn"



Today's song is about a dark chapter in Scotland's history, and the hope for some redemption. The band, Capercaillie, is a Scottish band founded in the Argyll region of Scotland in the early 1980s. Known for their mixing of traditional Gaelic tunes with modern recording techniques and instrumentation, Capercaillie started as a purely traditional band. In the 1990s, they began mix in funk bass lines, synthesizers and electric guitars into their repertoire of traditional tunes, but lately have been going back to more traditional instrumentation while retaining a light fusion feel to their music. In 1992, they recorded the first Scottish-Gaelic song to crack the UK Top 40. They have released eleven studio albums, four of which have made the UK Albums chart, and one live album. They also have two compilation albums and have performed on two soundtracks. This song, "Waiting for the Wheel to Turn" can be found on their 1991 CD Delirium, on the remix album Get Out (1992), and on the 1998 compilation album Dusk Til Dawn. This version above is their original 1991 version and video - they also have a longer remix version, seen below.

Monday, May 23, 2016

Is There Anything Else For Dinner: Capercaillie and "The Haggis"



Today's random tune is by Capercaille and called The Haggis, referring to a Scottish pudding consisting of sheeps heart, liver and lungs, minced with onion, oatmeal, suet, spices and salt, mixed with salt and encased in a sheep's stomach. Sound unsavory? The tune isn't! Capercaille is a Scottish folk band formed in the 1980s and named after the Scottish wood grouse. They perform traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s Capercaille added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward more traditional music while retaining a slight fusion sound. The Haggis is from their 1987 album Crosswinds.

Saturday, November 28, 2015

At Least It's Not Chin Music: Mouth Music and "Martin Martin"



Today's tune, Martin Martin, is by Mouth Music, a Scottish musical project that combines traditional Gaelic music with contemporary instrumental and techno. Featuring a variety of musicians over the years that often went on to fame under other bands, and produced and directed by Martin Swan, Mouth Music appears to be on hiatus since 2005, but their interesting sound led them to international fame in the 1990s. You can find Martin Martin on their 1990 self-titled debut album, featuring electronics, sparse electric guitars, fiddles and a world-beat type of sound that prefigured later groups like Afro-Celt Sound System.

Friday, October 23, 2015

An Unrequited Love: Capercaillie and "Am Buachaille Ban"



Today's song's theme is made up of heartrending lyrics of unrequited love. It is brought to you by Capercaille, a Scottish folk band formed in the 1980s. Capercaille are named after the Scottish wood grouse. They perform traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward more traditional music while retaining a slight fusion sound. This song, A Buachaille Ban, is from their 1987 album Crosswinds,

Thursday, August 6, 2015

Oh, the Ones I've Seen: The Shee and "Troubles"



The Shee are an all female folk group from Scotland that combine Scottish folk, Gaelic song and bluegrass. Their instrumentation consists of electro-harp, accordion, mandolin, viola, fiddle, flute and whistle. They have released three albums. This song, Troubles, is from their 2010 album Decadence.

Saturday, August 1, 2015

At the Pub: Capercaillie and "Finlay's"



Scotland provides the backdrop for this very funky Celtic tune by Capercaille. Capercaille is a Scottish folk band formed in the 1980s. They are named after the Scottish wood grouse. They perform traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward more traditional music while retaining a slight fusion sound. This song, Finlays, is from their 1997 album Beautiful Wasteland, and this version of the song is from their 2002 Live in Concert album (they end this version of Finlays with a snippet of Puirt a Beul, a song from their 1987 album Crosswinds). BTW: This is the band that started my long foray into world music after I saw them in the early stages of their career at Milwaukee's Irish festival in the late 1980s. I absolutely love them!

Sunday, August 24, 2014

The Band That Started It: Capercaillie and "Puirt a Beul/Snug in a Blanket"



I've told the story on this blog before. How I was persuaded to go to Milwaukee's Irish Fest by Megan back in the late 1980s. How I dissed Irish music in my ignorance, believing that all it consisted of was schmaltzy ballads sung by accented tenors. How we walked in to the festival grounds and I heard something that I'd never heard before - traditional music with rhythms that were almost modern. That band was Capercaille, at the beginning of their career which has now stretched almost 30 years.

It was Capercaille that really started me on the road to appreciate world music. Back then world music was, to me, Celtic music: the smattering of songs that Peter Gabriel put out that had African singers and rhythms (I didn't even know the name of the singer, Youssou N'Dour, on Gabriel's In Your Eyes nor of his fame until many years later), and Ladysmith Black Mambazo's contributions to Paul Simon's Graceland album. My music world was small, limited to 70s and 80s rock, new wave, pop and a smattering of disco and funk. I had no idea when I walked into the festival grounds that day that synthesizers, a bass groove and a modern guitar accompaniment over traditional Gaelic tunes would lead to a sea change in my openness to other cultures and other artistic styles. And, this change occurred gradually. But it happened, and I have Capercaille to thank for that.

Capercaille is a Scottish folk band formed in the 1980s. They are named after the Scottish wood grouse. Capercaille performs traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward the more traditional while retaining a slight fusion sound. This song, Puirt a Beul/Snug in a Blanket, is from their 2006 album Crosswinds.