A blog about world and global music from a guy who co-hosts the KUNM Global Music Show, 89.9 FM Albuquerque/Santa Fe, http://www.kunm.org. I post one song a day, with reflections on the music, life, and whatever else comes into my mind.
Showing posts with label Puirt a Beul. Show all posts
Showing posts with label Puirt a Beul. Show all posts
Saturday, January 13, 2018
Like a Bug in a Rug: Capercaillie and "Puirt a Beul/Snug in a Blanket"
Capercaillie performs our random tune for today, called Puirt a Beul/Snug in a Blanket. A Scottish folk band formed in the 1980s, Capercaillie are named after the Scottish wood grouse. Capercaillie performs traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward the more traditional while retaining a slight fusion sound. Puirt a Beul/Snug in a Blanket is from their 2006 album Crosswinds and on their 2007 CD Heritage Songs.
Listen to songs like this and more on the KUNM Global Music Show every Monday night from 10 pm - 1 am Mountain Standard Time. Live streaming, program information and the two-week digital archive can be found at http://www.kunm.org.
Source: https://en.wikipedia.org/wiki/Capercaillie_(band)
Labels:
Capercaillie,
Celtic,
Crosswinds,
global,
Heritage Songs,
KUNM,
Megan Kamerick,
Michael Hess,
music,
Puirt a Beul,
radio,
Scottish,
world
Tuesday, May 23, 2017
Sounds Like a Fun Place: Capercaillie and "Finlay's"
Funky? Scottish? Capercaille brings the funk to a Celtic tune! Capercaillie is a Scottish folk band formed in the 1980s. They are named after the Scottish wood grouse. They perform traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward more traditional music while retaining a slight fusion sound. This song, Finlays, is from their 1997 album Beautiful Wasteland, and this version of the song is from their 2002 Live in Concert album (they end this version of Finlays with a snippet of Puirt a Beul, a song from their 1987 album Crosswinds). BTW: This is the band that started my long foray into world music after I saw them in the early stages of their career at Milwaukee's Irish festival in the late 1980s.
Labels:
Capercaillie,
Celtic,
Crosswinds,
Finlay's,
global,
KUNM,
Live in Concert,
Megan Kamerick,
Michael Hess,
music,
Puirt a Beul,
radio,
Scotland,
world
Sunday, August 24, 2014
The Band That Started It: Capercaillie and "Puirt a Beul/Snug in a Blanket"
I've told the story on this blog before. How I was persuaded to go to Milwaukee's Irish Fest by Megan back in the late 1980s. How I dissed Irish music in my ignorance, believing that all it consisted of was schmaltzy ballads sung by accented tenors. How we walked in to the festival grounds and I heard something that I'd never heard before - traditional music with rhythms that were almost modern. That band was Capercaille, at the beginning of their career which has now stretched almost 30 years.
It was Capercaille that really started me on the road to appreciate world music. Back then world music was, to me, Celtic music: the smattering of songs that Peter Gabriel put out that had African singers and rhythms (I didn't even know the name of the singer, Youssou N'Dour, on Gabriel's In Your Eyes nor of his fame until many years later), and Ladysmith Black Mambazo's contributions to Paul Simon's Graceland album. My music world was small, limited to 70s and 80s rock, new wave, pop and a smattering of disco and funk. I had no idea when I walked into the festival grounds that day that synthesizers, a bass groove and a modern guitar accompaniment over traditional Gaelic tunes would lead to a sea change in my openness to other cultures and other artistic styles. And, this change occurred gradually. But it happened, and I have Capercaille to thank for that.
Capercaille is a Scottish folk band formed in the 1980s. They are named after the Scottish wood grouse. Capercaille performs traditional Gaelic songs along with songs in English of their own composition or by others, and often mix traditional songs with modern recording techniques, rhythms and instrumentation. At first sticking fairly closely to traditional styles and instrumentation, in the 1980s they added funk bass lines, synthesizers and electric guitar to traditional songs. In 1992, their EP A Prince Among Islands was the first Gaelic language record to reach the top 40 of the UK singles charts They have since been moving back toward the more traditional while retaining a slight fusion sound. This song, Puirt a Beul/Snug in a Blanket, is from their 2006 album Crosswinds.
Labels:
Capercaillie,
Crosswinds,
fest,
Gaelic,
global,
Irish,
KUNM,
Megan Kamerick,
Michael Hess,
Milwaukee,
music,
Puirt a Beul,
radio,
Scot,
Scotland,
Scottish,
Snug in a Blanket,
world
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