At the Gates: Deolinda and "Entre Alvalade e as Portas de Benfica"

All I know about this song is that it's title refers to being at the Alvalade and Benfica gates. At least that is what Google Translate tells me. But when I run the lyrics through Google Translate, they don't make much sense to me.

This random tune of the day is from a Portuguese band. Deolinda formed in 2006 when the brothers Pedro da Silva Martins and Luis José Martins asked their cousin Ana Bacalhau to sing on a few songs they had written. Realizing that her voice fit perfectly with their songs, they formed Deolinda and rounded out the band with her husband José Pedro Leitã. Their first album, Canção Ao Lado (2008), reached number 3 on the Portuguese charts, and their followup album, Dois Selos e Um Carimbo (2010), hit number 1. During this period, the band performed a song called Parva que Sous at their concerts which was a social criticism of Portugal and the lack of opportunities for young people. Most of Europe was going through a financial crisis, and youth unemployment was enormous, especially in poorer EU countries. The song became an anthem among economically hurt youth in Portugal and went viral on social media, with bootleg copies of concert performances shared in great numbers. Deolinda released their third album, Mundo Pequenino, in 2013.

The band's style is inspired by fado, but they have made numerous departures from the form. While fado utilizes Portuguese guitar, the band does not. Deolinda's songs are often contain social criticism, and can be lively, upbeat, ironic and humorous which does not fit the usual melancholy style of fado either. Fado performers often dress in black when performing, but Deolinda does not. Perhaps they are defining a post-fado or neo-fado style? This song, Entre Alvalade e as Portas de Benfica is from their 2010 release Dois Selos e Um Carimbo.